People ask why I moved away from the big desks in 2000. The truth is, the 'Mojo' was never in the gear—it was always in the ears. 

 I've spent 40 years in world-class studios learning how to make records feel expensive. The best tools are only as good as the decisions behind them. 

I traded the massive desks for a surgical digital setup, but the 'Analogue Soul' remains. Whether it’s a global pop hit or an indie master, I apply the same elite-level scrutiny to every fader I touch...

paul@gomersall.com

(and how I missed immortality twice in one week!)

I was there when George Michael recorded Last Christmas. It wasn't about the gear—it was about the festive atmosphere we built in the room.